.the ramblings of a radman.

Tag: monsters

The Road Less Traveled: a microfiction horror story

When the car broke down, I was fifty miles past nowhere with another hundred to nothing. The sliver of the moon that remained struggled to peek past the clouds, as I hunched over the engine, hoping to get a glimpse of the problem and keep moving. No one traveled this road after dark.

When the battery died and the lights went out, I settled in for a long walk, careful to keep my feet on the black river of cold pitch. I checked my phone for reception every few minutes until it too turned lifeless in my hands, just another hunk of technology that betrayed me.

The rustling of the brush caused me to nearly leap out of my skin as a bobcat bounded up onto the shoulder and dashed away into the dark, more frightened of me than I of it. I counted to thirty before taking another step, afraid of drawing it back. Ten steps later, I stumbled and fell to my hands and knees. My hands rested in something sticky, but the moon had retreated once again. I stood and wiped my hands on my jeans as the light poked through the shroud above. The lifeless carcass at my feet grinned up at me. It was likely the bobcat, though what was left of it fostered some doubt. My skin began to crawl and I struggled to remain calm. I rubbed the back of my neck, which had grown much warmer.

By the time I felt the hot breath on my neck and hand, it was too late even to scream.

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Scary Movie Month – Day 10 – The Haunting

“An evil old house, the kind some people call haunted, is like an undiscovered country waiting to be explored. Hill House had stood for 90 years and might stand for 90 more. Silence lay steadily against the wood and stone of Hill House, and whatever walked there… walked alone.”

I first saw The Haunting (iTunes) in high school, in one of my English classes (thank you, Mrs. Rockey!). While the movie was remade (iTunes) in the ’90s with lots of scares and frights and special effects, the atmosphere of the original was superior. The cinematography was much creepier than most other movies of the time, and surpassed most movies of the time altogether, regardless of genre. Eleanor “Nell” Lance is portrayed remarkably well by Julie Harris, whose nervousness (and possible mental illness) really heightens the tense and sometimes claustrophobic feeling of the film.

One of the oft-analyzed aspects of the film is Theo’s implied lesbianism, which was just subtle enough to be ignored by those that wouldn’t have been able to handle the concept at the time. Some even go so far is to imply that Dr. Markway and Luke also appear to be in a homosexual relationship, but I feel as though that might be reaching just a bit.

My favorite scene in the entire movie is one in which all horror is left to the imagination, rather than explicitly showing the audience what is terrorizing the characters. In the scene Theo and Nell are in their locked rooms while something outside in the hall is seeking a way in, making a terrifyingly loud knocking and scraping noise. Nothing is more frightening in the dark than unexplained sounds, and The Haunting makes certain to play on those innate fears. It is a fantastic movie, and should be required viewing for any fan of horror.

Also, doors that look like faces are terrifying.

Scary Movie Month – Day 9 – The Mist

The Mist (iTunes) is one of the rare moments where a Stephen King story translated to the screen actually surpasses the source material. The first time I saw the movie, I watched the studio release in 2007. I was rather impressed, but always felt as though something was a little off about the movie. I could never quite place it. Then, Justin over at Happy Underground Films (of Dead-Wait fame) suggested I watch Darabont’s original vision for the movie (in black & white) from the retail DVD release. So I did.

Oh. My. God. It’s absolutely fantastic.

You may recognize Frank Darabont as the writer/director of two other Stephen King films, The Shawshank Redemption (iTunes) and The Green Mile (iTunes), as well as hit series The Walking Dead. His handling of this story is nothing short of brilliant, as you’d expect.

Let’s start with the fact that the movie opens on the protagonist, David Drayton (played by Thomas Jane), painting the cover art for Stephen King’s Dark Tower Book VII. This is just one of those nice little touches that I always love from talented directors. In the black & white version, it is just the start of a stunning opening scene in which the Drayton family approaches the window to see a massive storm approaching. The stark contrast in the cinematography is just incredible. Darabont shot the movie on color film, but lit the entire set in such a way to allow him to post-process it in black & white, really making every shot pop. It’s all very reminiscent of horror movies of the ’50s and ’60s, but with a greatly improved acting and directing style that adds a staggering realism to the film.

But the real beauty in the film is in the way Darabont’s film parallels and makes reference to both McCarthyism and the post-911 terror era. One of the most poignant lines in the film feels like a direct reference to the way a number of Republican politicians began using fear and blame as a motivator after the towers fell:

“You scare people badly enough, you can get ’em to do anything. They’ll turn to whoever promises a solution.”

I don’t want to spoil this movie for you, because its finale is just gut-wrenchingly amazing. You simply must see it for yourself. Please do yourself a favor and buy or borrow the black & white release. You won’t be disappointed. Sit through the credits for another amazing subtlety as the score ends well before the credits do. The film has a lovely soundtrack, by the way, with very few moments actually scored, making those that are really stand out in your memory.